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Pesenti: Complete Works

liii + 218 pp.

Édition:

№ d’article:

1691153

Éditions / Producteur:

A-R Editions

№ de fabricant:

R171

ISBN:

9781987201390

Description

Alfred Einstein assumed continuities between frottola and madrigal, though more recent scholarship has refuted these continuities: these were two different genres, cultivated in different centers of patronage, by different composers, and for different audiences. Michele Pesenti (ca. 1470–1528), however, composed in both genres thanks to different professional circumstances. He composed frottole while in Ferrarese employ, and later, when he secured an appointment at the court of Pope Leo X, he (or someone acting for him) refashioned several of his frottole as madrigals: textless lower instrumental lines are provided with text, converting a composition for a vocalist with instrumental accompaniment into one for an ensemble of four vocalists.

This pioneering edition of Pesenti's complete works offers parallel editions of compositions existing in both these forms, as well as compositions for solo voice and instrumental consort that were later arranged for voice and lute. It further seeks to clarify the procedures used in expanding the abbreviated presentation of the frottola’s text and music into readily performable form. The editorial team includes a musicologist, a linguist, and a musicologist-performer.

Contenu

Secular Works

A Dio, signora, adio (oda [frottola baratelliana])
Ahimè, ch’io moro (oda [frottola baratelliana]) Version A. Four-Voice Setting Version B. Lute Intabulation
Ardo e bruscio (frottola-proper)
Ben mille volte (capitolo)
Dal lecto me levava (frottola-caccia)
Dime un poco che vol dire (barzelletta)
Fuggir voglio el tuo bel volto (frottola-proper)
Inhospitas per alpes (Latin ode) Version A. Four-Voice Setting Version B. Lute Intabulation
Integer vitae (Latin ode) Version A. Four-Voice Setting Version B. Lute Intabulation
L’aqua vale al mio gran foco (frottola-proper)
Non mi doglio già d’amore (frottola-proper)
O Dio, che la brunetta mia (villotta [villottistic composition])
Passando per una rezolla (frottola with enjambment)
Poi che ’l ciel e la fortuna (frottola-proper) Version A. Four-Voice Setting Version B. Lute Intabulation
Questa è mia, l’ho fatta mi (barzelletta)
Se in tutto hai destinato (oda [frottola baratelliana])
S’io son stato a ritornare (frottola-proper) Version A. Four-Voice Setting Version B. Lute Intabulation
Sempre l’è come esser sole (frottola-proper)
Sì me piace el dolce foco (barzelletta)
Trista e noiosa sorte (oda [frottola baratelliana])
Tu te lamenti a torto (oda [frottola baratelliana])
Una legiadra donna (oda [frottola baratelliana])
Vieni ormai, non più tardare (frottola-proper)
Ahimè lasso, ahimè dolente (barzelletta) Version A. Four-Voice Setting Version B. Lute Intabulation
Amor, poi che non poi (strambotto)
O bon, egli è bon (barzelletta [altered]) Version A. Four-Voice Setting Version B. Lute Intabulation
Sia felice la tua vita (oda [frottola baratelliana])
Deh, chi me sa dir novella (barzelletta [altered]) Version A. Four-Voice Setting Version B. Lute Intabulation
Io son l’ocel che con le debil ali (strambotto distich)
Non è pensier che ’l mio secreto intenda (canzone) Version A. Four-Voice Setting Version B. Lute Intabulation
Spenta m’hai del pecto amore (frottola-proper) Version A. Four-Voice Setting Version B. Lute Intabulation
Io voria esser colù (barzelletta with popular refrain)
Che faràla, che diràla (barzelletta) Version A. Four-Voice Setting Version B. Lute Intabulation Version C. Keyboard Intabulation
Quando lo pomo vien (villotta [villottistic composition]) Version A. Frottolistic Setting Version B. Villottistic Setting
So ben che lei non sa (villotta [villottistic composition]) Version A. Frottolistic Setting Version B. Villottistic Setting
Alma gentil (canzone)

Sacred Works

Bonum est sperare
Manus Domini
Tulerunt Dominum meum

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